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Brochure presenting the history, charter, and plans for the Texas Sculptors Group.

Program for the 1948 Caldwell County Centennial coronation and pageant.

Material related to the Palo Duro Union Presbytery assembled by Reverend Robert D. Nicholson.

Three photographs related to Pompeo Coppini: a signed print of Coppini standing with the studio model of the Cenotaph to the Heroes of the Alamo (circa 1937); a signed print of the doors to the Scottish Rite Cathedral in San Antonio (dated 1944), and an undated snapshot of Coppini and his wife.

Christmas card (circa 1936) signed by "Colonel" Edward M. House, accompanied by a photograph of House and an unidentified man.

Typescript copy of original manuscript memoirs by John Beldon Billingsley (1830-1904).

"The Saga of Our Ancestry: Being a Series of Sketches o the Lives of Pioneer Texans, Written for the Information and Pleasure of their Descendants by Maud Boyce Farrar, Waxahachie, Texas, 1934."

Contents:

1. Rebecca Horton Boyce
2. Mahaly, the slave woman
3. Little Dog Penny
4. The Aldredge Family
5. Elizabeth Aldredge Boyce
6. W.A. Boyce
7. Nancy Owen Smith
8. Hans Smith
9. Lelia Smith Farrar
10. Education of Her Children
11. S.B. Farrar
12. Genealogical Tables

Program to the thirty-fifth annual convention of the American National Live Stock Association, held in San Antonio in January 1932.

Typed manuscript by R.L. Cartwright, "The Earliest American History of Texas," 1931.

Fourteen photographs of San Jose Mission taken by Harvey Patteson of San Antonio in the 1930s. Include detailed shots of architectural features.

The collection contains the papers of Victor Alessandro, conductor of the San Antonio Symphony Orchestra, including documents related to musical performances, records from the library of the San Antonio Symphony Orchestra, music-related ephemera, clippings related to the San Antonio Symphony, and scores and sheet music with significant annotation by Alessandro. Series 1 contains documents related to musical performances, including notes, correspondence, photographs, blueprints, clippings, and sheet music. Series 2 contains records from the San Antonio Symphony's library, including inventories and annual reports from the librarian. Series 3 contains clippings and ephemera related to the Symphony. Series 4 consists of scores and sheet music with significant annotation by Alessandro.

The Paul Baker Papers consist of correspondence, photographs, administrative records, scripts, playbills, blueprints for theatre construction, periodical clippings and scrapbooks spanning the years 1925-1976 with the bulk of the material concerning the mid-century. The material from the latter years relates to Baker’s tenure at Trinity University, but the majority of the collection is from his years with Baylor University and his work with the Dallas Theatre Center. The collection also contains a small series of Kitty Baker’s correspondence and personal papers.

Program for the 150th anniversary touring production of "The Rivals" by Richard Brinsley Sheridan, performed at the Empire Theatre on December 2, 1925.

Flyer distributed by the Onderdonk Memorial Association seeking support for the purchase of Julian Onderdonk's final painting, "Dawn in the Hills," on behalf of the city of San Antonio. The text in the flyer is credited to J. Frank Davis.

Collection of primary source materials related to the 1921 flood in San Antonio, Texas, assembled by historian Dr. Char Miller.

Collection consists of eighteen concert programs from the San Antonio Symphony Orchestra, dated between 1915 and 1918.

Journal belonging to a young lawyer in Georgetown, Texas, dated between 1914 and 1915. Although no name appears in the journal, the donor believed it to belong to R.E. Bowers.

Two receipts for taxes collected in Boerne, Texas, in 1912 and 1918.