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The collection contains the papers of Victor Alessandro, conductor of the San Antonio Symphony Orchestra, including documents related to musical performances, records from the library of the San Antonio Symphony Orchestra, music-related ephemera, clippings related to the San Antonio Symphony, and scores and sheet music with significant annotation by Alessandro. Series 1 contains documents related to musical performances, including notes, correspondence, photographs, blueprints, clippings, and sheet music. Series 2 contains records from the San Antonio Symphony's library, including inventories and annual reports from the librarian. Series 3 contains clippings and ephemera related to the Symphony. Series 4 consists of scores and sheet music with significant annotation by Alessandro.

Collection consists of eighteen concert programs from the San Antonio Symphony Orchestra, dated between 1915 and 1918.

This collection consists of correspondence written or received by members of the Armstrong family and their associates. Some of the manuscripts are incomplete, with pages missing. Included are letters from Mary J. Durst, Mary Helena "Mollie" Durst Armstrong, and D.W.C. Baker. One letter's author is unidentified.

Three letters from author Jacob Abbott to Mrs. William Stiles of Austin, Texas, and one explanatory letter from Mrs. Stiles's son Dr. Henry Howard Stiles to a family member.

This collection consists of materials left to Trinity University by William B. Adamson. It includes certificates and awards won by Adamson, photographs, a collection of postage stamps commemorating the one hundredth anniversary of the founding of the International Committee of the Red Cross, and various publications of the Red Cross.

This collection consists of two journals belonging to Mary Catherine Bradley Gillespie. These journals primarily contain poetry written between 1853 and 1889; other entries include notes about sermons, Sunday School lessons, family members, and music. The collection also includes a handwritten transcription by Gillespie's grandson, William Bulford Adamson, and a printed copy of the hardcover book issued by the Trinity University Alumni Association in 1972.