This collection consists of issues of the Trinitonian; from its first appearance as a monthly campus magazine and annual in1900, through its present day weekly circulation as the student-run newspaper of Trinity University.
This collection documents Dr. Earl M. Lewis's professional life at Prairie View A&M, Trinity University, and University of Texas at San Antonio and includes correspondence, reports, and other materials.
The Paul Baker Papers consist of correspondence, photographs, administrative records, scripts, playbills, blueprints for theatre construction, periodical clippings and scrapbooks spanning the years 1925-1976 with the bulk of the material concerning the mid-century. The material from the latter years relates to Baker’s tenure at Trinity University, but the majority of the collection is from his years with Baylor University and his work with the Dallas Theatre Center. The collection also contains a small portion of Kitty Baker’s correspondence and personal papers as well as Jearnine Wagner’s papers regarding efforts in children’s theatre.
This collection documents the traditions, administration, and club activities of the Sigma Theta Tau sorority from 1956 to 2010. Records comprise administrative files, meeting minutes, social event and service activity files, scrapbooks, awards, visual materials, and memorabilia. A small number of administrative documents, minutes, and booklets from the Trinity Sorority Council (TSC) are included among these files.
The collection consists of administrative files regarding media relations of the center, with a funding prospectus and two annual reports. Additionally there are several published reports produced by the center.
This collection contains material from the former director of public relations, Leon “Tex” Taylor Taylor. The collection includes correspondence, biographical files, development department files, samples of print media, various articles about Trinity University, and assorted event files spanning Taylor’s tenure at Trinity University from 1947 to 1987.
This collection contains material from Ursula Lauderdale, a Texas artist and former art instructor at Trinity University. It includes a small scrapbook, photographs, correspondence, documents, and news clippings. The scrapbook, clippings, membership cards, and many of the photographs help to illustrate her work as an artist during the early 20th century.
Three photographs related to Pompeo Coppini: a signed print of Coppini standing with the studio model of the Cenotaph to the Heroes of the Alamo (circa 1937); a signed print of the doors to the Scottish Rite Cathedral in San Antonio (dated 1944), and an undated snapshot of Coppini and his wife.
Two letters related to author Katherine Anne Porter. The first is a copy of a 1965 letter from Porter to Dr. Louise Gossett, wife of Trinity University professor Dr. Thomas Gossett, regarding a meeting between the Gossetts, Porter, and Flannery O'Connor (the Gossetts introduced Porter and O'Connor in 1958). The second is a letter from a 1951 Trinity alumna, Marion Conditt, to President Brazil inquiring about memories she has of taking a summer course with Porter in the late 1940s. The archives staff has been unable to find any records supporting or refuting this claim.
Three manuscripts related to the 1888 San Antonio International Fair: a timeline of events, an account of the cattle roping contest, and an account of George W. Saunders's renowned steer named Geronimo.
A commonplace book used by Violet Alice Haynes Bowles (1873-1953), in which she recorded poetry, correspondence, genealogical research, and other notes. Much of the contents reflects her views as a member of the Daughters of the Confederacy.
Two volumes of property assessments conducted in the city of San Antonio, Texas. The first is dated from 1853 by assessor José María Rodriguez. The second is dated from 1864 by assessor A. Eule. The assessments list and provides values for property owned by San Antonio citizens, including parcels of land, livestock, wagons and farm equipment, jewelry, and miscellaneous items. Enslaved people are also listed under property assessed; the names, sex, and ages of enslaved people are not listed.
The collection contains the papers of Victor Alessandro, conductor of the San Antonio Symphony Orchestra, including documents related to musical performances, records from the library of the San Antonio Symphony Orchestra, music-related ephemera, clippings related to the San Antonio Symphony, and scores and sheet music with significant annotation by Alessandro. Series 1 contains documents related to musical performances, including notes, correspondence, photographs, blueprints, clippings, and sheet music. Series 2 contains records from the San Antonio Symphony's library, including inventories and annual reports from the librarian. Series 3 contains clippings and ephemera related to the Symphony. Series 4 consists of scores and sheet music with significant annotation by Alessandro.